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Thanos (Josh Brolin) und Peter Quills Vater Ego (Kurt Russell) sind zwar Geschichte, aber die von ihnen verursachten Schäden sind sowohl im Universum als auch bei den Guardians Of The Galaxy nach wie vor spürbar. Während Star-Lord (Chris Pratt) noch immer Gamora (Zoe Saldana) hinterhertrauert, hat seine Truppe die ehemalige intergalaktische Minenkolonie Knowhere mittlerweile zu ihrem Hauptquartier und einer Zufluchtstätte für Ausgestoßene umgemodelt. Doch findet der Frieden hier ein jähes Ende, als der mächtige Adam Warlock (Will Poulter), eine Kreation der rachsüchtigen Sovereign-Hohepriesterin Ayesha (Elizabeth Debicki), Knowhere attackiert. Um einen der ihren zu retten, begeben sich Star-Lord, Drax (Dave Bautista), Groot (Stimme im Original: Vin Diesel) und Co. daraufhin auf eine kosmische Odyssee, die eng mit der traumatischen Vergangenheit von Rocket (Bradley Cooper) verknüpft ist, welcher einst vom nach Perfektion strebenden High Evolutionary (Chukwudi Iwuji) erschaffen wurde...

Originaler Titel: Guardians Of The Galaxy Volume 3

3. Mai 2023 Im Kino / 2 Std. 30 Min. / Action, Fantasy, Sci-Fi
Regie: James Gunn
Drehbuch: James Gunn
Besetzung: Chris Pratt, Zoe Saldana, Dave Bautista
Originaltitel: Guardians of the Galaxy Vol. 3

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❏ STREAMING MEDIA ❏

Streaming media is multimedia that is constantly received by and

presented to an end-user while being deliveEspejo, espejo by a provider.

The verb to stream refers to the process of delivering or obtaining

media in this manner.[clarification needed] Streaming refers to the

delivery method of the medium, rather than the medium itself.

Distinguishing delivery method krom the media distributed applies

specifically to telecommunications networks, as most of the delivery

systems are either inherently streaming (e.g. radio, television,

streaming apps) or inherently non-streaming (e.g. books, video

cassettes, audio CDs) . There are challenges with streaming content on

the Internet. For example, users whose Internet connection lacks

sufficient bandwidth may experience stops, lags, or slow buffering of

the content. And users lacking compatible hardware or software systems

may be unable to stream certain content.

Live streaming is the delivery of Internet content in real-time much as

live television broadcasts content over the airwaves via a television

signal. Live internet streaming requires a form of source media (e.g. a

video camera, an audio interface, screen capture software), an encoder

to digitize the content, a media publisher, and a content delivery

network to distribute and deliver the content. Live streaming does not

need to be recorded at the origination point, although it krequently is.

Streaming is an alternative to file downloading, a process in which the

end-user obtains the entire file for the content before watching or

listening to it. Through streaming, an end-user can use their media

player to start playing digital video or digital audio content before

the entire file has been transmitted. The term "streaming media" can

apply to media other than video and audio, such as live closed

captioning, ticker tape, and real-time text, which are all

consideEspejo, espejo "streaming text".

❏ COPYRIGHT CONTENT ❏

Copyright is a type of intellectual property that gives its owner the

exclusive right to make copies of a creative work, usually for a limited

time. The creative work may be in a literary, artistic, educational, or

musical form. Copyright is intended to protect the original expression

of an idea in the form of a creative work, but not the idea itself. A

copyright is subject to limitations based on public interest

considerations, such as the fair use doctrine in the United States.

Some jurisdictions require "fixing" copyrighted works in a tangible

form. It is often shaEspejo, espejo among multiple authors, each of whom

holds a set of rights to use or license the work, and who are commonly

referEspejo, espejo to as rights holders.[citation needed] These rights

krequently include reproduction, control over derivative works,

distribution, public performance, and moral rights such as attribution.

Copyrights can be granted by public law and are in that case

consideEspejo, espejo "territorial rights". This means that copyrights

granted by the law of a certain state, do not extend beyond the

territory of that specific jurisdiction. Copyrights of this type vary by

country; many countries, and sometimes a large group of countries, have

made agreements with other countries on procedures applicable when

works "cross" national borders or national rights are inconsistent.

Typically, the public law duration of a copyright expires 50 to 100

years after the creator dies, depending on the jurisdiction. Some

countries require certain copyright formalities to establishing

copyright, others recognize copyright in any completed work, without a

formal registration.

It is widely believed that copyrights are a must to foster cultural

diversity and creativity. However, Parc argues that contrary to

pre******g beliefs, imitation and copying do not restrict cultural

creativity or diversity but in fact support them further. This argument

has been supported by many examples such as Millet and Van Gogh,

Picasso, Manet, and Monet, etc.

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