Outlander Saison 7 Episode 1: Une vie bien perdue

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Résumé Outlander saison 7 épisode 1:
Jamie rushes to Wilmington to save Claire from power, to discover that the American Revolution has bel et bien attentit la Caroline du Nord.

Titre: Outlander Saison 7 Episode 1
Titre de l'episode: Une vie bien perdue
Durée. 00: 00 00 00 00 00 00. 60 14 minutes
Genre: Drame, Science-fiction et Fantastique
Avec. Caitriona Balfe, Sam Heughan, Richard Rankin, Sophie Skelton
Réseau. Starz:

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A television show - or simply a television show - is all content produced to be viewed on a television that can be broadcast via the air, satellite or cable, with the exception of the latest news, advertisements or bands. annonces qui sont generally placed entre les émissions. Television shows are most often programmed to be broadcast well in advance and appear on electronic guides or other television lists, but streaming services often make them available for viewing at any time. The content of a television show can be produced with different methodologies such as recorded variety shows from a television studio scene, une animation ou une variété de productions cinématographiques allant des films aux séries.

The television programs can be viewed live (in real time), recorded on a domestic video, a digital video recorder for later viewing, viewed on demand via a decoder or broadcast on the Internet.

A television program is also called a television program (British English: program), especially if it does not have a narrative structure.

In the United States and Canada, a television series is generally broadcast in episodes that follow a story and are generally divided into seasons. In the United Kingdom, a television series is an annual or semiannual ensemble of new episodes. (In effect, a "series" in the United Kingdom is the same as a "season" in the United States and Canada.)

A petite collection of episodes can also be called a limited series or a mini-series. A unique collection of episodes can be called "special TV" or limited series. A cinematographic film (also known under the name of film) for television is initially broadcast on television rather than directly on video or on the traditional large screen.

The first television broadcasts were experimental and sporadic broadcasts visible only at a very short distance from the broadcast tower in the 1930s. Television events such as the 1936 Summer Olympics in Germany, the coronation of King George VI in the United Kingdom in 1937 and David Sarnoff's famous introduction to the 1939 New York World's Fair in the United States stimulated growth in the environment, but World War II stopped development until then. the war Les séries mondiales de 1947 ont inspired many Americans to buy their first television, then in 1948, the popular radio show Texaco Star Theater followed suit and became the first weekday variety show, which was valuable to the animator Milton Berle named "Mr Television" and demonstrated that the media was a stable and modern form of entertainment that could attract advertisers. The first live national television broadcast in the United States took place on September 4, 1951, when President Harry Truman's speech at the Japanese peace treaty conference in San Francisco was broadcast by transcontinental cable and radio relay system. micro-ondes d'AT&T pour diffuser des stations sur les marchés locales.

The first diffusion nationale en couleur (the Tournament of Roses Parade de 1954) aux États Unis a eu lieu le 1er janvier 1954. Au cours des ten années suivantes, la plupart des émissions du réseau et presque toutes les émissions locales ont continued à être en noir et blanc. A transition of color was announced for the autumn of 1965, during which more than half of the programming of the network of hours of great listening would be broadcast in color. La première saison aux heures de grande écoute tout en couleurs est arrivée un an plus tard. In 1972, the last failure among the daily broadcasts of the network was converted into color, which gave rise to the first season of the network entirely in colors.

Television shows are more varied than most other forms of media due to the large variety of formats and genres that can be presented. A show can be fictional (as in comedies and dramas) or non-fictional (as in documentaries, news and reality shows) . Il peut être d'actualité (as in the case of a local télévisé newspaper and some films intended for television), or historical (as in the case of numerous documentaries and fiction series) . They can be mainly educational or educational, or entertaining, as is the case in situation comedies and televised games.

A dramatic program generally presents an ensemble of actors playing characters in a historical or contemporary setting. The program follows their life and their adventures. Avant les années 1980, les émissions (à l'exception des feuilletons de type feuilleton) generally remained static without arcs narratives, et les personnages principaux et les premisses ont peu changé. If the changes were produced in the life of the personages during the episode, they were generally canceled at the end. Pour cette raison, les épisodes potrouillet être diffuss dans n'importe quel ordre. Depuis les années 1980, de nombreuses séries present des changements progressives dans l'intrigue, les personnages ou les deux. For example, Hill Street Blues et St. Elsewhere ont été deux des premières télévisées dramatiques américaines aux heures de grande écoute à avoir this type of dramatic structure, tandis que la dernière série Babylon 5 illustre encore une telle structure en ce sens quelle avait une histoire predéterminée qui sétendait sur his objective. course de cinq saisons.

In 2012, it was reported that television was becoming a more important component of the revenues of large media companies than cinema. Some have also noted the improvement in the quality of some TV shows. In 2012, Oscar-winning director Steven Soderbergh, commenting on the ambiguity and complexity of the character and the narrative, said: "Je pense que ces qualités sont maintenant vues à la télévision et que les gens qui veulent voir des histoires qui ont ce genre de qualités sont regarder la télévision."

Most television networks across the world are "commercial", depending on the sale of advertising time or the acquisition of sponsors. The principal preoccupation of radio broadcasting executives concerning their programming is the size of the audience. In the past, the number of "free" stations was limited by the availability of channel frequencies, but cable television technology (outside the United States, satellite television) allowed the number of channels to increase. disponibles pour les téléspectateurs (parfois à primes) dans un environnement beaucoup plus conenientiel.

In the United States, the production of a drama broadcast on a network costs an average of 3 million dollars per episode, while cable dramas cost an average of 2 million dollars. The pilot episode can be more expensive than a regular episode. In 2004, the two-hour pilot of Lost cost $10 to $14 million, in 2008, the two-hour pilot of Fringe cost $10 million, and in 2010, Boardwalk Empire cost $18 million to premiere. episode. In 2011, Game of Thrones cost between 5 and 10 million dollars, Pan Am cost approximately 10 million dollars, while the two-hour pilot of Terra Nova cost between 10 and 20 million dollars.

De nombreuses émissions de télévision en réseau scénarisées aux États Unis sont sont financier par un financement deficitaire. a studio finances the production cost of a show and a network pays a royalty to the studio for the right to diffuse the show. This fee does not cover the costs of production of the emission, hence the deficit. Although the studio does not recover its money during the original broadcast of the show, it retains ownership of the show. This allows the studio to recover its money and make a profit thanks to syndication and DVD and Blu-ray sales. This system places the most financial risks on the studios; Cependant, une émission à succes sur les marchés de la syndication et de la vidéo domestique peut more que compenser les échecs.

The costs are recovered mainly by the advertising revenue of diffusion networks and some cable channels, while other cable channels depend on subscriptions. In general, advertisers, and therefore networks that depend on advertising, are more interested in the number of viewers in the 18-49 age group than in the total number of viewers. Advertisers are ready to pay more for advertising on broadcasts that are successful for young adults, because they watch less television and are more difficult to reach. According to Advertising Age, au cours de la saison 2007-08, Grey's Anatomy a pu facturer $419, 000 par publicité, contre seulement $248, 000 pour une publicité pendant CSI, although CSI has an average of five million additional viewers. En raison de sa strength aprés des jeunes téléspectateurs, Friends a pu invoicer près de trois fois plus pour une publicité que Murder, She Wrote, même si les deux séries avaient un nombre total téléspectateurs similaire à cette époque. Glee and The Office attracted fewer viewers than NCIS during the 2009-2010 season, but earned an average of $272, 694 and $213, 617 respectively, compared to $150, 708 for NCIS.

Après la production, the show is sent to the television network, which sends it to its affiliate stations, which broadcast it in the specified broadcast schedule. If the ratings of Nielsen are good, the show will be maintained as long as possible. Otherwise, the spectacle is generally cancelled. The creators of the series must then tour the remaining episodes and the possibility of future episodes on other networks. Sur des séries particularly successful, les producers metten parfois un terme à une série à eux seuls comme Seinfeld, The Cosby Show, Corner Gas et M*A*S*H et la terminent par un épisode de conclusion, qui est parfois une grande finale de série.

In rare occasions, a series that has not attracted particularly high rates and that has been canceled can benefit from a sursis if the audience of personal videos has been particularly strong. This happened in the cases of Family Guy in the United States and Peep Show in the United Kingdom.

In the United States, if the show is popular or lucrative and a minimum number of episodes (generally 100) has been produced, it can be syndicated, where the broadcast rights are subsequently resold. contre de l'argent ou mis dans un troc échange (offered gratuitement à un point de vente en échange de la diffusion de publicités supplémentaires elsewhere dans la journée de diffusion de la station) .

While network orders for seasons of 13 or 22 episodes are still ubiquitous in the television industry, several shows have deviated from this traditional trend. Écrit pour être closed et de durée more shorte que les autres émissions, ils sont commercialisés avec une variété de termes.

Mini-series. une série très shorte et fermée, generally six heures ou plus en deux parties ou plus (nights), semblable à un long téléfilm. The first few mini-series were adaptations of popular novels of the era, such as The National Dream (1974), Roots (1977) and North and South (1985) . In the last few years, as described by several television executives interviewed by The Hollywood Reporter, the term mini-series has become a negative connotation within the industry, as it has become associated with heavy melodramatic works. couramment produites sous le format, tandis que des séries ou des événements limitées les séries receive un plus grand respect.

Série limitée: distincte de la mini-série en ce que la production est considered comme ayant un potential de nouvellement, mais sans l'exigence d'avoir autant d'épisodes qu'une commande typique par saison. Under the Dome, Killer Women and Luther were commercialized in limited series. Les histoires individuales d'une saison de séries d'anthologies telles que American Horror Story, Fargo et True Detective sont également décrités comme des "séries limitées". The Primetime Emmys have had to make numerous changes to their mini-series/limited series category to adapt to the anthology and other limited series.
Série événementielle: largely considered as a marketing term, relevant to the general category of event television. The term can be applied to almost all new short-term series, such as 24. Live Another Day. It was also used to describe televised games like The Million Second Quiz, which were not broadcast for two weeks.

= MÉDIAS EN STREAMING =:

Streaming multimedia is a multimedia that is constantly received and presented to a final user while being delivered by a supplier. The verb diffuser refers to the process of delivering or obtaining media in this way. [Necessary clarification] The streaming makes reference to the delivery method of the support, rather than the support itself. The distinction between delivery method and distributed media applies specifically to CW telecommunications, because most delivery systems are intrinsically streaming (for example, radio, television, streaming applications) or intrinsically non-en streaming (for example, books, video cassettes, audio CDs) . There are challenges with streaming content on the Internet. For example, les utilisers dont la connexion Internet ne dispose pas d'une bande passante suffisante peuvent rencontrer des arrêts, des décalages ou une mise en mémoire tampon lente du contenu. Et les utilisers de systèmes matériel ou compatible softwares peuvent ne pas être en mesure de diffuser certains contenus.
Direct diffusion is the diffusion of Internet content in real time, just like direct television diffuses content on the air via a television signal. Direct broadcasting on the Internet requires a form of media source (for example, a video camera, an audio interface, a screen capture software), an encoder to digitize the content, a media editor and a content diffuser. CW to distribute and diffuse the content. Direct diffusion does not need to be recorded at the point of origin, even if it is so often the case.
Streaming is an alternative to downloading files, a process in which the end user obtains the entire file for content before viewing or listening. Thanks to continuous diffusion, an end user can use his multimedia player to start reading digital video or digital audio content before the entire file has been transmitted. The term "media en continu" can be applied to media other than video and audio, such as direct subtitles, real-time text and real-time text, which are all considered "text in real time". continue".

= CONTENU DE COPYRIGHT =:

Copyright is a type of intellectual property that gives its owner the exclusive right to make copies of a creative work, generally for a limited duration. Le travail de création peut être sous une forme littéraire, artistique, educative ou musicale. Copyright law aims to protect the original expression of an idea in the form of a creative work, but not the idea itself. Un droit d'auteur is subject to limitations based on considerations of public interest, such as the doctrine of fair use in the United States.
Certain jurisdictions require the "reparation" of works protected by copyright under a tangible form. It is often shared between several authors, each of whom holds a set of rights of use or license of the work, and who are commonly called holders of rights. These rights frequently include reproduction, control of derivative works, distribution, public performance and moral rights such as attribution.
Les droits d'auteur peuvent être accordé par le droit public et sont dans ce cas considéraires comme des "droits territorialaux". This means that the rights of author granted by the law of a certain State do not extend beyond the territory of this specific jurisdiction. Author rights of this type vary depending on the country; de nombreux countries, et parfois un groupe important de countries, ont conclu des accords avec d'autres countries sur les procedures applicable lorsque les oeuvres "traversent" les frontières nationales ou lorsque les droits nationaux sont incompatible.
As a general rule, the duration of a public right of an author expires 50 to 55 years after the death of the creator, depending on the jurisdiction. Certain countries require certain formalities of copyright to establish copyright, others recognize copyright on any completed work without formal registration.
It is widely accepted that copyrights are indispensable for promoting cultural diversity and creativity. Cependant, Parc sutinet que contrairement aux croyances dominantes, l'imitation et la copy ne restreignent pas la creativité ou la diversité culturelle, mais les soutien en fait davantage. This argument was supported by numerous examples such as Millet and Van Gogh, Picasso, Manet and Monet, etc.